Awhile ago, I foolishly admitted to still having old cassette tapes from the late 70s of me singing demos of songs I'd written. Like most people of a certain vintage, I have vague recollections of that time, some good, some not so good. This carries over to my memory of the songs themselves and whether they're worth the time and effort to review.
And paradoxically, it did take time and effort for all my cassette players, except for the one in my wife's car, no longer functioned. Apparently, not using them for years at a time comes at a cost. Something I'm especially eager to find out.
However...
As I mentioned, the cassette player in the car still works, no doubt because it's not nearly as old as my beloved Nakamichi LX-5.
I don't even want to think about trying to get that fixed.
That aside, I bravely mustered the courage to listen to the tape, which was recorded in the Spring of 1979. It's a collection of songs written that Spring as demos for a possible album (3 of the songs ended up on my first album, PearceArrow). Surprisingly, I did not find myself aghast at my terrible-ness. That's not to say I found the experience super wonderful.
My tendency in those days to play a riff over and over was on full display, nearly every song is way too long (It's a demo, man; keep it short and sweet!). More than once I yelled at the machine to "Get on with it!" It also shows its age, lyrically and musically, assuming you have any memory of the 70s and the songs from that era.
On the plus side, it turns out the songs aren't terrible, and, other than me, were well received by those fearless enough to take a listen. We are talking about songs sung into a mono cassette deck, not something known for its aural fidelity. And I didn't think the songs were bad, per se, only that they were those confessional singer/songwriter type songs that now give me the heebie-jeebies.
I know, I know; it's my problem and I'll deal with it.
The one question that does arise, beyond what I'll do with all these leftover cassettes if I don't repair the LX-5, is what to do with the songs. Let sleeping dogs lie, or produce a more stereophonic version (Minus the neverending riffing).
First I'll have to sit in the car and try to remember what chords I was playing.
©2020 David William Pearce
I had no idea you could sing. I'm impressed. You are truly a man of many talents.
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